Tag Archives: Gothic literature

Interview with Tantra Bensko, Author of “Encore: A Contemporary Love Story of Hypnotic Abduction”

Today, I’m pleased to welcome Tantra Bensko to the Gothic Wanderer blog. She will enlighten us about her latest work, the standalone book, Encore, which is Book III in The Agents of the Nevermind series of Psychological Suspense novels about the heroism of exposing social engineering. The US Review of Books says about Encore: “From the description of Miriam’s post-abduction ride to her captivity in the castle, one is reminded of such Gothic treasures as Rebecca and Wuthering Heights.”

Tantra Bensko, author of ENCORE

Tantra, who has an MA from Florida State and an MFA from the Iowa Writers Workshop, has given her life over to writing and helping others create their stories. She has hundreds of publications in magazines, has taught writing for fourteen years with universities such as UCLA Extension Writing Program, and edits manuscripts with Book Butchers.

Tyler: Welcome, Tantra. Can you give us some background to the series and your approach to writing about social engineering?

Tantra: Thank you, I’m honored to connect with you, Tyler, as you’re one of my heroes that I’ve learned a lot from.

Well, you’ve probably noticed that rarely in a novel is our own president of the United States the president in the book, as that would be quite awkward, particularly in fiction with a strong political awareness. So, in that sense, these kinds of books are always Alternate Reality. In this series, the timeline of reality shifted slightly when President Planda gained office in conjunction with the new intelligence agency, the Nevermind, which took over certain propaganda functions from the CIA, etc. and networked strongly with the UK.

This shift allows me to dramatize methods of media theater, blackmail, movies, and other traditional widespread means of prompting the public to believe in the military agendas that governments are promoting, such as coups and proxy wars to steal resources, run drugs, and keep control of the petrodollar. I’m fascinated by such gaslighting of the public and the brainwashing of key individuals who have the capacity to influence the masses. That topic is a perfect fit for Psychological Suspense and the Gothic, which engendered that genre.

The Nevermind Agents, who are the antagonists of the series, are masters of hypnosis and dubious occult practices, so in Encore, for example, I delve into the history of how our mystical beliefs have been induced and used against us. We see the fallout from Enochian magick, mind control, Theosophy, Thelema, and other intersections of famous intelligence assets with metaphysical secret societies.

While the first two books in the series take place in the United States with focus on other countries which are being targeted militarily, this third book is set in England, which was great fun. I got to study all about portcullises! (Brilliant weapons built into castle entryways.) The book does have a strong international scope, as it references the time around the World Wars when the major powers were trying to manipulate public opinion through appropriating the competing legends of Shambhalla and Atlantis. The East favored Shambhalla and the West favored Atlantis, because each could claim divine heritage from those locations and, thus, the right to rule. The Nevermind keeps the interest in such mythologies alive as much as it was back in the New Age heyday, to continue that kind of political manipulation.

I’ve been gratified by how well readers see the parallels to today’s actual social engineering when they respond to my Agents of the Nevermind novels. I’m passionate about revealing the methods of influencing the minds of the masses through bypassing logic and critical thinking and that’s ideal for Psychological Suspense. When people want to bond with their peers or a significant other, they can be easily led into shared beliefs and they won’t let go of those ideas unless the reality shoots them in the face.

Tyler: Without giving away too much, will you tell us a little about the opening or premise of Encore?

Tantra: Encore begins with a troupe in England performing the history of a gem which features in legends of Shambhalla and Atlantis. The troupe’s hypnotist, Dune, has made them famous, especially his wife Susan, who is the star.

After the star’s disappearance before the show, her standby, Miriam, takes Susan’s place. Dune always hypnotizes the standbys to believe they are the actors they replace: the post-hypnotic suggestion ends when the final curtain lands, and they remember their identity. Before the curtain lands, Dune whisks Miriam to a castle.

Meanwhile, Miriam’s friend, Colin, who just kissed her for the first time, seeks to rescue her.

Tyler: You label Encore: A Hypnotic Abduction as a Contemporary Gothic novel. In what ways does it follow and expand the rich tradition of that genre in a way that is relevant today?

Encore is a modern Gothic novel using elements from classic Gothic literature

Tantra: I appreciate the education you provide on the subject on your website and in your book The Gothic Wanderer—and as you describe in those, the fall of the monarchy with the French Revolution made people worry about the stability and corresponding hierarchy of the family unit. Some of the characters in this novel are British Republicans who would like to see the monarchy abolished. The Agents fund their dubious practices through precarious illicit methods to keep the networked countries of England and the U.S. afloat.

Delving deeply into family history embedded in ancient architecture generally takes Gothic heroines into shocking-secret territory, often related to hidden relatives, improper sex acts, the return of the oppressed to gain vengeance, and strange alliances with unexpected consequences. There is a sense of decay of tradition at the same time and a desperate attempt to hold onto it—for the Agents, for nefarious purposes, and for the hecklers at the Bennu performance at the theater, because their cultural identities are attached to those traditions.

Encore gleefully celebrates all the tropes, such as first person POV of an isolated heroine, ambiguity and dissolution of identity, having to choose between the dark and light hero without knowing which is which, oubliettes, tunnels, cemeteries, grotesque caricatures, incest, paintings that follow the heroines, doppelgangers, curses, the quest for elixirs of immortality, secret societies and cults influencing the world through rituals, and a powerful, charismatic man controlling the mind of a woman. It takes place in present-time with current issues such as insider trading, the kind of “alchemical homeopathic mixtures” that are available for sale now, claims for the rare gem, Moldavite that one can easily find online, the Free Tibet movement.

Since reviews of Encore align it with the core Gothic conventions, I may move ahead in the future with publishing the book I drafted when preparing to write this and my other novels with Gothic elements: How to Write a Gothic Novel. I certainly will cite you in that.

Tyler: Wow. You went all out with inserting Gothic elements into the book. So, tell me, what about the Gothic appeals to you so much, and why do you think readers still want to read about these Gothic themes?

Tantra: Gothic Romance on Amazon is one of the very strongest, most lucrative, and promising genres to publish in these days, with sales continually rising higher, and yet there’s not too much competition. Many books listed there aren’t what I would label Gothic, but I’m a stickler for being literal about genres. They are often really Paranormal Romance, instead, and that’s a fetish for many people. And, of course, Gothic Horror lends itself to being campy, which is a handy quality for books written with an eye toward being adapted to low budget Horror movies.

I think Gothic is extremely relevant today. We’re still worried about the crumbling of the family, still experiencing fearful guilt resulting from living under an improperly behaving government that destroys other countries for profit, creating immigrants who flood in. And for the government to act like destroying those countries is humanitarian and moral, they have to get intelligence agents to create propaganda that gets the public on board with foreign policy. They portray a war hawk like John McCain as the hero to emulate. They create false flags, making it look like the leader of a foreign country gassed his own people, so we should support terrorists to kill more of his people. And the intelligence agents in the news stations create hysteria and peer pressure to rile people up enough that they bypass logic in order to accept such easily disproven claims. That kind of gaslighting seems like the epitome of the Gothic to me.

And Gothic is fun. Who doesn’t like dungeons, tunnels, spooky cemeteries, foggy forests, exaggerated emotions, dangerous secrets? Reading a Gothic story, we vicariously travel further and further toward the dark truth as we travel down into the snaky underground in the primitive darkness, carrying a torch. People are surrounded by deception and when we’re bewildered, catching on that something is not what it seems, we can be gratified by the heroes facing the dreamlike symbolic horrors underneath the surface. We can feel like we’re strong enough to do so to and we may be able to figure everything out and expose the lies.

Will humanity ever move past the typical Gothic relationship of a person being inexorably drawn to a man who is immensely compelling yet secretive and dangerous? Is he dangerous to others enough that he will protect us? Or will he kill us instead? How can we be satisfied with a nice, sweet, open, and honest man like we should be when we’re on fire for the charismatic, powerful man instead? Sometimes we have to move through the process, trying out the intense man and being burned before we can see the charms of the simply kind man.

Tyler: What do you hope readers will feel or think after reading your book?

Tantra: I hope the liberation at the end of the novel makes them feel exhilarated after vicariously living Miriam’s claustrophobic experience of being trapped at the castle and in her own belief that she needs to be someone else to be acceptable.

That belief sounds irrational, but when you look at how people create false personae through social media, for example, it’s obviously common. Narcissists are at the extreme end of the spectrum, presenting themselves as more successful, confident, and charming than they feel inside. But according to statistics, most people lie multiple times every day. Unless they’ve plucked their eyebrows and painted new ones in, many women can be afraid to leave the house to walk among random strangers on the street. And some musicians create fan pages on Facebook, invite all their friends to “like” the pages, then unfriend them so they have room in their allotted 5,000 to make more friends and get them to like their pages. . . I think most people could benefit by learning how to drop some of that desperate need for being put on a pedestal.

I also hope the book improves people’s sense of a pattern: how intelligence agents put one over on unsuspecting people. And I hope readers will feel thoroughly entertained, their hearts full, their stride empowered, and their minds lit up by flickering images of the gorgeous English landscape.

Tyler: What do you hope readers will most appreciate about your writing?

Tantra: I hope they get value from my extensive research into history, such as the famous intelligence assets who went undercover as occultists like John Dee, Madame Blavatsky, Nicholas Roerich and Aleister Crowley, and some sinister elements of Tantric tradition as well as some applicable methods of circulating life force energy with a lover.

I also hope they enjoy the suspense of hope versus the creeping sense of dread. The cinematic, dramatic romance with the highly fetishized friend-to-lover trope should have its appeal, as Colin goes all out for Miriam while living like a wild man on the castle grounds. I have to say, writing the portion of the novel in which Miriam believes she is Susan was no easy task.

Tyler: Thanks for the opportunity to interview you, Tantra. Will you let our readers know about your website and what information they can find there about your books and how to buy them?

Tantra: People who are interested in staying in the loop can sign up for the newsletter at any of my sites and they’ll receive many gifts. All the books can be found at Amazon and Kobo.

Encore website

Insubordinate Books website for the Nevermind novels and others, such as the forthcoming Psychological Suspense book, Floating on Secrets. The links to buy should be easy to navigate from there.

Thank you very much for posting this interview on your excellent site, and very best wishes to you.

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Tyler Tichelaar, PhD, is the author of King Arthur’s Children: A Study in Fiction and Tradition, The Gothic Wanderer: From Transgression to Redemption, The Children of Arthur novel series, and Haunted Marquette: Ghost Stories from the Queen City. Visit Tyler at www.ChildrenofArthur.com and www.GothicWanderer.com.

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Arranged Marriage Perfect Juxtapose in Gothic Twister: An Interview with bestselling author Michelle M. Pillow

Today I’m pleased to host Michelle M. Pillow, New York Times and USA Today bestselling author of Forget Me Not, previously reviewed on this blog, and numerous other Gothic, romance, and shapeshifter novels.

How long have you been writing professionally?

My first paranormal romance was published in 2004 under the title The Mists of Midnight. It has since been revised and was just re-released under the title Forget Me Not.

michellepillowHow many novels have you published?

Over 100.

Wow. What’s your secret for producing so much? Do you write on a specific schedule?

I wish there was a magic formula I could share, but it comes down to hard work. I treat writing like a career—one that I love, but one that demands a lot of work and dedication due to the competitive nature of the business. It’s a full-time-plus job that I’m always doing.

At any given time I’ll have several projects in various stages. Some are in the planning and research stage. Others are being written. Then others will be with editors. Then there are aspects of being a professional author that people often forget about—namely marketing and promotions. It’s not all book signings and appearances, either. I’ve had to learn how to build websites and run online ad campaigns, and build graphics. It’s a balancing act, and there are times where I’m up until 3 a.m. just to make a deadline.

All that said, I absolutely love my job. To be a writer, I think that’s important. You have to love it, feel it inside of you as something you have to do, or this industry and the sacrifices it demands will wear you down fast.

Are all your books in the same genre?

As a writer, I love to tell a story and not be limited by one time period or genre, so you’ll see a variety of books under my name. When I create characters and the worlds they live in, I like to set them down and throw things at them, and then just let them react the way their personalities and histories would dictate. I often never know how a story is going to end when I start it.

Which authors inspire you?

In high school, I loved the section of the library where I’d find books that hadn’t been checked out for decades. This ended up being a lot of the literary classics—Austen, Bronte, Dumas, James Fenimore Cooper, and Tolstoy. Pride and Prejudice is still a favorite. The romantic in me loves the courtship of Darcy and Elizabeth, including his not-so-well-done first marriage proposal. These books were like little buried treasures I’d read on my lunch breaks. I have always loved history and, ultimately, went to college to study it, and these books afforded a peek into historical lives and struggles.

Later, I discovered Steinbeck, including his travelogue, Travels with Charley: In Search of America. His insights into the wide variety of people he met, and into the universal feeling people had in longing to be somewhere else, anywhere but where they were, spoke to me, as I began to consider my own characters and their motivations.

Many of my books have historical and/or paranormal influences, even if they are not strictly historically set. Some of the stories that inspire me have inspired many, including Shelley and Stoker, along with various other Gothic writers and ideas. I find the Victorian notions of vampires entertaining and very in line with societal beliefs at the time—including not being able to enter a home without an invitation, which reflected the social art of how to properly call on a person’s home and receive guests as a way to safeguard decent people from evil. Edgar Allan Poe was another author I enjoyed, especially the mental breakdown in “The Tell-Tale Heart.”

In your latest novel Forget Me Not, arranged marriage is the pretense for the story, which offers up all kinds of stringent gender roles. Was it a conscious decision to do that?

Arranged marriages in the 1800s are simply a continuation of a phenomena that had been around since ancient times. Marriage was seen as a logical choice, from the desire to make advantageous matches for a family that were both financially sound and socially acceptable. It was with the Victorians that the idea of romantic love really started to take real hold. Consider for a moment Queen Victoria and Prince Albert; theirs is recognized as a love match. Forget Me Not is set during the Regency period, in a world that really marks a time of change between the thought processes of the Middle Ages to modern day society as we recognize it. Now, we would hardly think it acceptable (and rightly so) that a woman belonged first to her father, and then to her husband, including her belongings.

To be honest, though, arranged marriages create the perfect backdrop for romance and conflict to happen.

Does your main character Isabel Drake rebel against protocol?

Absolutely! Unlike her meeker younger sister, Jane, Isabel cares less about being a good and dutiful daughter, and wants more out of life than to marry for money and comfort. The book takes place in 1812 when marriages weren’t necessarily always arranged, but they were treated as more of a business decision than simply off the basis of love and desire. The general opinion was that women needed a breadwinner, and men wanted a woman who could take care of the home and children. Marriages became more of a partnership agreement, often instigated or encouraged by families.

As an interesting fact, in regards to a woman being the property of her husband, in 1882 the Married Women’s Property Act became law to allow a woman to own presents given to her. True story.

Dougal Weston is Isabel’s tutor in the novel. Would you say he is the archetypal aloof romantic hero in the tradition of Mr. Darcy, or is he more of an antihero?Dougal is a classic leading man with his own personal goal to achieve in the story, nothing to do with Isabel at first, even though he appears as her tutor. But when their stories collide, this whole new realm of possibilities opens up. It adds several layers to the story, which peel back at the right time. Like everyone, these characters are complicated with many motivations and needs.

Michelle Pillow's new novel Forget Me Not blends regency fiction with the paranormal for some surprising romance.

Michelle Pillow’s new novel Forget Me Not blends regency fiction with the paranormal for some surprising romance.

Speaking of layers, there’s no shortage of twists—well thought of twists—in Forget Me Not. Did they come naturally, or were they devices as milestones that you built the story around?

Great question. I was very lucky with this story. It was one of the first books I wrote, and it was actually the first one that was published back in 2004. And it flowed from start to finish. My muse was kind to me back then.

Talking of muses, how do see your muse?

She’s a crazy lady with an endless supply of cups of coffee, and a very demanding personality. I think she’d be happiest if I typed two books at once. Dr. Who fans will know what I’m talking about when I liken her to the angel statue in “Blink.”

How or where does Forget Me Not fit in the stack of Michelle M. Pillow’s works?

Well, it’s romance, which is what I do. But then the Regency and the Gothic (which I classify as Paranormal) aspect of it puts Forget Me Not slightly off center from my futuristic and shifter works. When I started writing, Historicals were what I really wanted to do. But as it turned out, I found traction with other subgenres of romance.

Is there a follow up to Forget Me Not?

No. Forget Me Not is a standalone title. I do think it gives the reader’s mind plenty to daydream about and imagine in the world created, away from the words actually written.

I do have other historical novels, including the National RT Award winner Maiden and the Monster. It is a medieval set historical romance. I also have other stories with the same feel and tone as Forget Me Not. One would be the shorter work, Everlastingly.

Thank you, Michelle, for joining me today. Where can we learn more about your novels?

Visit me at www.MichellePillow.com. Information and buy links for all of my novels are there. They can be found at most major bookstores. Thank you for having me.

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Tyler Tichelaar, Ph.D., is the author of The Children of Arthur series, beginning with Arthur’s Legacy and including Lilith’s Love which is largely a sequel to Dracula. His scholarly nonfiction works include King Arthur’s Children: A Study in Fiction and Tradition and The Gothic Wanderer: From Transgression to Redemption. You can learn more about him at www.GothicWanderer.com and www.ChildrenofArthur.com.

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