Recently, a copy of Mary Shelley’s novel Frankenstein was discovered and is expected to sell for 400,000 pounds at auction. And it wasn’t just any copy of Frankenstein; it was the copy Mary Shelley had autographed specifically for her good friend Lord Byron. You can read more about the sale at http://www.huffingtonpost.co.uk/2012/09/06/lord-byron-frankenstein-mary-shelley_n_1860447.html
As has been told thousands of times, Frankenstein was first conceived during a holiday in 1816 when Lord Byron, his physician John Polidori, Mary Shelley, and Percy Shelley all gathered together to tell ghost stories. From that evening Polidori’s The Vampyre was conceived—the first vampire story in English—and Mary Shelley’s Frankenstein. Consequently, Byron was present at the origins of Frankenstein.
What I wouldn’t give to have Byron’s copy of Frankenstein, but alas, I don’t have 400,000 pounds. But the auction sale reminded me of one of my favorite literary experiences I had in the summer of 2000 when I attended the first Edward Bulwer-Lytton conference at the University of London in England. There I presented a paper about the influences of Bulwer-Lytton’s novel Zanoni (1842) on Charles Dickens’ novel A Tale of Two Cities (1859), a paper that later formed the basis for a chapter in my new book The Gothic Wanderer. But for me, the highlight of the conference was when Lord Cobbold, descendant of Bulwer-Lytton, had us all for dinner and a play at Knebworth House, the fabulous Victorian Gothic home built by Bulwer-Lytton.
Bulwer-Lytton fancied himself as a Lord Byron type, having come of age while Byron’s poetry was all the rage. Bulwer-Lytton was born in 1803 while Lord Byron died in 1824. Not far from Knebworth House was the home of Lady Caroline Lamb, Lord Byron’s former mistress, who had committed adultery with him, despite her marriage to Viscount Melbourne, later Prime Minister of England. By the time Bulwer-Lytton knew Lamb, she was middle-aged, but he was a young man who fancied she might take an interest in him, although eighteen years his senior.
As far as we know, his attraction to her—perhaps more from her former relationship with Lord Byron than her own beauty—never amounted to anything, but because of his interests in Lord Byron, she gave him Lord Byron’s ruler which she had in her possession as well as a copy of Glenarvon, a fabulous Gothic novel she wrote in 1816, a thinly disguised portrait of her relationship with Lord Byron, in which she depicts him as having similarities to a vampire. The main character, Callantha, commits adultery with the title character Glenarvon, a relationship that is akin to achieving damnation, but in the end, they separate and Callantha finds redemption while Glenarvon is tormented at sea, seeing the Flying Dutchman, the haunted ship manned by sailors who can never rest and which would later be developed more fully in Captain Marryat’s novel The Phantom Ship (1839). While Glenarvon is not the best written novel, it’s a fascinating one, full of Gothic elements, and interesting as a portrait of Lord Byron. Byron was himself not impressed by the book, remarking upon it, “I read Glenarvon too by Caro Lamb….God damn!”
You can well imagine how exciting it was for me to visit Knebworth House and especially when Lord Cobbold gave us a tour, showed us Lord Byron’s ruler, and then unlocked the glass cabinet, and unbelievably, passed around the copy of Glenarvonthat Lady Caroline Lamb had given to Edward Bulwer-Lytton! For just a moment, I got to hold it in my hands and feel connected to those far away great Gothic authors of the past. Now if I only had 400,000 pounds.
For more information on Gothic literature, Lamb, Bulwer-Lytton, Shelley, and Byron, check out my new book The Gothic Wanderer: From Transgression to Redemption, Gothic Fiction 1794-present available at www.GothicWanderer.com. and if you’d like to visit Knebworth House, well worth the visit, and a house that has been featured in many films, you can learn more at: http://www.knebworthhouse.com/